Immerse yourself in the elegance and tradition of Hanfu Sundays! Whether you’re a history enthusiast, a photography lover, or simply curious about Hanfu, step into the past by adorning one of our Hanfu outfits and enjoy a leisurely stroll through the beautiful Lan Su Garden for a perfect photo opportunity. Join us for a unique cultural experience where you can explore the beauty and history of Hanfu clothing. VISIT LAN SU IN HANFU ON SUNDAYS, AND GET A $5 DISCOUNT OFF ADMISSION! This is an in-person discount offer, not for advanced online ticketing. The $5 off discount is only for adult general admission of the day and should not be combined with other discounts. Much gratitude to Oregon Chinese Coalition for their time, help, and support of this event! Special thanks to the Northwest Chinese Alliance for providing hanfu-inspired outfits for Hanfu Sundays at Lan Su Chinese Garden. Click here to learn more about Northwest Chinese Alliance.

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Damao (Chinese: 大帽), also known as Big hat in English, is a type of Chinese round hat with a wide brim, which was worn in the Ming dynasty. 39 It was commonly worn by commoners of the Ming dynasty and is often seen in Ming dynasty portraits. Mongols’ boli hat (Chinese: 钹笠帽; pinyin: Boli mao; lit. Damao is composed of a wide brim, a high crown and a long string which is used as a tie. Boli hat (钹笠帽), a cymbal-shape hat with a round crown and with a brim which extended outwards and downwards, was one of the most popular hats worn by the Mongols (including the Yuan Emperors, officials and male commoners) in the Yuan dynasty. 208 It could be made from straw or fabric. The use of boli hat by the ordinary Mongols in their everyday lives in the Yuan dynasty. This eventually influenced the Han Chinese. The boli hat continued to be used in the Ming dynasty where it was renamed damao in historical documents of the Ming dynasty, which may be because they were rounder and bigger than the futou had traditionally been worn by the Han Chinese. The damao was also widely worn by government clerks and family servants of the Ming officials and the Imperial family, and postmen (yishi 役使). Figurine wearing a boli hat, ming dynasty hanfu male Yuan dynasty. They were also symbols of low-ranking servants as they were commonly worn by family servants; it was worn by people of lower-ranking occupations due to their practicality. A damao made of rattan called chanzongmao (缠棕帽) is also used by military men, sometimes decorated with feathers attached on top of the hat. Since then, the hat was used by kegong (科貢, i.e. nominees for offices). The damao also appeared in the Ming dictionary, Sancai Tuhui, where it is depicted and is called damao; according to the accompanying text in the Sancai Tuhui: in the early Ming dynasty, the Emperor saw the imperial examinees sitting under the sun; therefore he ordered a damao hat for each of the examinees to be worn so that they would be protected from the sun. Ming musketeers wearing chanzongmao. Ming dynasty pottery figures wearing damao. The Museum of Far Eastern Antiquities Bulletin 70. Östasiatiska museet. Di 1 ban ed.). Xianggang: Mu wen tang mei shu chu ban she you xian gong si. Social Sciences in China. 三才圖會. Wei, Luo (2018-01-02). “A Preliminary Study of Mongol Costumes in the Ming Dynasty”. 缠棕帽，以藤织成，如胄，亦武士服也。 This article related to the history of China is a stub. This article about the history of clothing is a stub. You can help Wikipedia by expanding it. This page was last edited on 24 March 2024, at 00:24 (UTC). You can help Wikipedia by expanding it. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

Hanfu, literally ‘Han clothes’, is one of the traditional types of Chinese clothing. In recent years, when Chinese people talk about Hanfu, they usually mean a long flowing robe with loose sleeves and a belt at the waist. The term “Hanfu” refers to the historical dress of the Han people for all of history before the Qing Dynasty, when the Manchus reigned. However, Hanfu is a diverse term including different styles of clothing from different dynasties. The belt sash was often decorated with jade. It is said that Hanfu can be traced back more than 4,000 years, when the legendary Yellow Emperor’s (2698-2598 BC) consort, Leizu, made clothes with silk. It is considered a symbol of authentic Chinese culture, reflecting Confucian scholars’ aspirations towards rituals, music, and moralistic ideals. However, no archaeological evidence has been unearthed to support this. In the Xia Dynasty (2070-1600 BC), top-bottom clothes prevailed. The yi was a narrow-cuffed, knee-length tunic tied with a sash. The basic form of the Hanfu was established in the Shang Dynasty (1600-1046 BC)… The shang was a narrow, ankle-length skirt. Outside a knee-length apron or bixi (/bee-hsee/ 蔽膝 ‘cover the knees’) was worn. Due to limited technology, there were only two primary colors: red and green. Clothes were used as a status symbol to accentuate their privileges, which had a substantial impact on clothes and ornaments, owing to great differences between the nobility and the common people. Shenyi (one-piece clothing) and Mianfu (a religious court dress of ancient emperors and officials) emerged in the Eastern Zhou period (770 – 221 BC). In the Western Zhou era (1045 – 771 BC), Kings of the Western Zhou Dynasty set up a strict hierarchical system linked by blood lineage and ethical norms based on families. The cross-over collar appeared. Hanfu sleeves were made wider, and the outer tunic was closed with jade decorations or a sash. During the Qin and Han dynasties, few changes were made to the details of the Hanfu. Other ethnic groups’ clothing, such as hufu (clothes of northern ethnic groups such as the Huns), was established and blended with Hanfu. The shenyi was still the favored style of dress for the Han people and the Huns alike. A new kind of formal dress, the pao (袍), a robe made of linen, prevailed. It was stipulated that the third-rank officials and above wore green silk pao and shenyi, and the common people wore white linen pao during the Qin Dynasty. The Sui and Tang dynasties were “China’s golden age”, when the Han culture broadened. Based on their predecessors, a clothing style combining elements of the Hanfu and the hufu became common. The clothes of the Song Dynasty largely continued the style of the Tang Dynasty. More decorations and embroidery were applied. Women’s clothes became more relaxed and revealing than their previous counterparts, owing to women being less restricted by the Confucian ethical codes. Women in the Song Dynasty wore beizi (褙子，similar to capes). The Yuan Dynasty was the first foreign-ruled era in China. The Hanfu in this period adopted features from the Mongolian rulers’ national dress. Men not only wore the traditional Han-style round-collar pao, but also wore the Mongolian zhisunfu (jisum in Mongolian). The Ming Dynasty was the last Han-led dynasty. This featured an yi (upper garment) that reached the knees with narrow sleeves and a short shang (lower garment). However, lots of Mongolian-style attire and hats still prevailed, as did clothing changes from the Song era. The emperor wanted to restore the whole Han culture and tradition, including restoring all the clothing fashions of the Tang Dynasty. The upper outer garment was shorter and the lower garment was longer, and the outer coat became longer to shorten the exposed skirt’s length. In 1644, the Manchus started ruling China, and a dramatic shift in hairstyling and clothing occurred. Confucian codes were re-popularized and women’s clothes were prone to being more conservative. At the very beginning, the Manchu leader required all the Han people to wear the Manchus’ long gown, or cheongsam, but this restriction loosened soon afterward. Three types of clothes coexisted together in the Qing Dynasty: Han traditional clothes (i.e. Hanfu), Manchu clothes, and part Western-style clothes in the late Qing Dynasty. Hanfu was a symbol of traditional Chinese culture. Chinese clothing started to be adopted by the Japanese in the 5th century. It also had a far-reaching influence on the clothing in other neighboring Asian countries, such as the Japanese kimono, the Korean hanbok, and the Vietnamese Áo giao lĩnh. Traditional Japanese clothing is the kimono. The other term for it is gofuku, which means “clothing of Wu”.

Chinese headwear has a long history. According to some scholars, China used to be called “the Kingdom of Headwear” by people due to its variety of colourful and artistic style of hair ornament. There were various categories for headwear including guan (Chinese: 冠; pinyin: guān; lit. Chinese: 帽; lit. Chinese: 巾; lit. Chinese: 冕; lit. 6 Chinese people also wore Chinese hairpins. Chinese: 帻; lit. Mian Guan (冕冠) Shier liu mian (十二旒冕) Twelve-tasselled Crown. Chinese women, in particular, chinese traditional clothing men like to use flowers (either natural or artificial) as hair decorations for centuries; they also wore shubi in their hair and sometimes wore the honggaitou on their weddings. Jiuliu mian (九旒冕) Nine-tasselled Crown. Worn by dukes and crown prince’s servants. Initially all Mian Guan were worn by emperors, later emperors only wore this type. Others Baliu mian (八旒冕): Eight-tasselled Crown. Worn by princes and dukes. Wuliu mian (五旒冕): Five-tasselled Crown. Qiliu mian (七旒冕): Seven-tasselled Crown. Pibian (皮弁) Leather Crown. Worn by viscounts and barons. Embedded with jades. Worn by all nobles. Worn by emperors in special occasions. Sky-reaching Crown/High Mountain Crown. Worn by emperors and princes. Yuanyou Guan (远游冠) Travel Crown. Similar to Tongtian Guan. Diaochan Guan (貂蟬冠) Mink’s Tail and Cicada’s Wing Crown. Also worn by dukes in Han dynasty. See also: Long Guan, Wu Guan. Worn by emperor’s servants and government officials. Jinxian Guan (進賢冠) Recommending Crown. After the Xin dynasty, it was worn with the jieze (介帻) with the crown folded on top, later becoming one headwear. Zhongjing Guan (忠靖冠) Loyal and stable crown. Worn by Confucian scholars and civil government officials. Worn by retired officials. Wuguan was derived from the Zhaohuiwenguan (趙惠文冠), designed by King Wuling of Zhao, which was ornamented with a dang (璫; a gold ornament in the form of animals, such as dragons, cicada, and people) on the front and with sable’s tail. Wu guan (武冠)/Wu bian (武弁)/Wubian daguan (武弁大冠) Military Crown. By the Han dynasty, military caps called wubian were commonly worn by soldiery, with formal guan variants worn by high-ranking military officials and imperial bodyguards, which were decorated with long-tailed pheasant’s tail feathers as a symbol of martial prowess. A small cap to gather hair inside, fixed with long hairpin. Daily wear of all male. Mini size, sometimes in shapes of Liangguan. Chang Guan (长冠) Long Crown, also known as “Liu family crown” (刘氏冠) or “Magpie tail crown” (鹊尾冠). Shufa Guan (束发冠) Hair-gathering Crown. Later worn by Han dynasty’s emperors and high officials during ceremonies. Designed and first worn by Emperor Gaozu of Han based on Chu headwear. Long Guan (籠冠) “Basket hat”. Helmets or tall peaked caps; it extends down over the ears and neck. Lianhua Guan (莲花冠) Lotus Crown. Developed from the Wubian(“武弁”)-hat, alternatively also known as Wuguan “武冠”, worn by military officials. First worn by highest rank Taoist Master, chinese traditional clothing hanfu later also worn by the nobility. Currently used by Taoist priests. An early form of informal headwear dates back as early as Jin dynasty that later developed into several variations for wear in different occasions. Zhanjiao Putou (展角幞頭) “Spread-horn head cover”. Futou (襆頭) Chuijiao Putou (垂腳襆頭) Head cover/Head wrap. Elongated horns on both sides can keep the distance between officials so they couldn’t whisper to each other during court assemblies. Designed by Emperor Taizu. Zhanchi Putou (展翅幞頭) “Spread-wing head cover”. Commonly as “wushamao” (乌纱帽), or “black-muslin hat”. The term wushamao is still frequently used as Chinese slang referring to government positions. Standard headwear of officials during the Ming dynasty. Worn by emperors and princes of the Ming dynasty, as well as kings of many China’s tributaries. Yishan Guan (翼善冠) Philanthropy Crown, with wings folded upwards. Tang jin (唐巾) Based on the futou, worn by commoners, particularly scholars. Gaowu mao (高屋帽) Baisha mao (白紗帽) Also known as white gauze hat. Sometimes decorated with jewels and dragons. It was worn by the sovereigns of Liu-Song and Southern Qi, it was later inherited by the Sui dynasty. Adult White gauze hat. Damao (大帽) Round hat with wide brim. Wusha Gaowu mao (烏紗高屋帽) High reach black gauze hat. Chanzongmao (缠棕帽) A damao made of rattan, sometimes decorated with feathers attached on top of the hat. Worn by people of lower-ranking occupations, such as government clerks and family servants. Liuheyitong mao (六合一統帽) / Xiao mao (小帽)/ Guapi mao (瓜皮帽) ‘Six-part’ United hat. Name originate from Ming dynasty’s founder Hongwu Emperor uniting China. Zhanli (毡笠) Wide brimmed hat. The hat would later develop into the “Guapi mao”(瓜皮帽) skullcap in the Qing dynasty. Jin (巾)/ Tou jin (头巾)/ Zhajin (扎巾) Headscarf worn by commoners, tied around the head or sometimes the topknot to protect the hair. Jinze (巾帻) /Jieze (介帻) / Pingshanze (平上幘) A cylindrical cap; it has a higher back and lower front. Originally it was a soldiers’ headscarf that later developed into a head covering cap in the Han Dynasty and adopted into widespread use. In the Song dynasty, the headscarf was also secured with a decorative ring. Later developed into the pingshangze, which had a flatter top decorated with a bamboo slip, worn by military officials. A red jinze called chize (赤帻) was used by military personnel, while another variant called jieze(介帻) is used by civil officials and servants. Cheng zi guan (程子冠) / Fangshan jin (方山巾) Worn by Cheng Yi and Cheng Hao. Formal wear, popular with Neo-Confucian scholars. Chunyang jin (純陽巾) / Letian jin (樂天巾) Named after Lü Chunyang and Bai Letian. Developed from Dongpo jin. Dongpo jin (東坡巾) Named after and supposedly worn by Su Dongpo, but originated from Five Dynasties period. Popularly worn by scholar-gentry and Taoists. Worn by commoners, particularly scholar-gentry. Hunyuan jin (混元巾) Worn by Quanzhen School Taoists, popularised during the Qing dynasty. Fu jin (幅巾) Popularly worn by scholar-gentry. Jie jin (結巾) / Jiang jin (將巾) Also known as “general’s headscarf”. Worn by tying the two ends of the kerchief on top of the head. Guan jin (綸巾)/Zhuge jin (諸葛巾) Originally a style of fujin, later resembling a liangguan. Named after Zhuge Liang, who wore a guanjin. Commonly worn by military personnel. Piaopiao jin (飘飘巾) / Piao jin (飘巾) Popular among scholar-gentry. Named after the flowing ribbons behind it. Huayang jin (華陽巾) Worn by Taoists. Later inspired opera costume such as qiaoliangjin (桥梁巾) for its refined and cultured appearance. Ru jin (儒巾) Ruist scarf. Popularly worn by scholars, especially those who have yet to earn the title of Juren at the imperial examination. Li jin (吏巾) Worn by minor government officials, it resembles a wushamao but made with softer material and square top. Believed to be based on a headwear called zhangfu (章甫). Sifang pingding jin (四方平定巾) / Fang jin (方巾) / Sifang jin (四方巾) First worn and named by Yang Weizhen. Wangjin (網巾) Worn under headwear to secure and protect the hair. Emperor Zhu Yuanzhang was pleased by its appearance and name, and ordered it to be used by scholars and minor government clerks. Xiaoyao jin (逍遥巾) Also known as “Heye jin” (荷叶巾), “Huadingtou jin” (花顶头巾). Worn by commoners, later adopted by Taoists. Yun jin (雲巾) Modeled after the Zhongjin guan, but worn by the scholar-gentry. Named after the “cloud” shapes formed on the sides. Originally worn by scholars to differentiate from peasants. Zaoli jin (皁隸巾) Named after and worn by yamen runners. Zhouzi jin (周子巾) Worn by commoners. Zhuangzi jin (莊子巾) Also called “Dao jin” (道巾). Named after Zhuangzi. Worn by common scholars and Taoists, later exclusively by Taoist priests. Worn by commoners, particularly scholar-gentry. Beiye jin (貝葉巾) Resembling palm tree leaves. Worn by commoners, particularly scholar-gentry. Kui jin (葵巾) Resembling flower petals. Worn by commoners, particularly scholar-gentry. Chanfu jin (蟬腹巾) Resembling cicada’s thorax. Worn by commoners, particularly scholar-gentry. Ruyi jin (如意巾) Worn by commoners, particularly scholar-gentry. Qinwei jin (琴尾巾) Resembling a part of qin. Sandaopenglai jin (三島蓬萊巾) Representing the three islands of Mount Penglai. Worn by commoners, particularly scholar-gentry. Xiantao jin (仙桃巾) Resembling Peaches of Immortality. Worn by commoners, particularly scholar-gentry. Hutou mao (虎头帽) Tiger head hat. Zhuangyuan mao (状元帽) Champion hat. Xianggong mao (相公帽) Husband hat. Chixiao mao (鴟鴞帽) Owl hat. Ji (笄) Hairpins. Zan (簪) Ornamental hairpins. They were often inscribed with auspicious patterns. Chai (钗) U-shaped or V-shaped hairpin. Long, single-pronged hairpin after Qin dynasty. Typically made of bronze. Yanbin (掩鬓) The hairpin covering sideburns. Buyao (步摇); “step-sway” or “dangling hairpin” or literally “dangling with one’s walking steps”. Buyao Zan (步摇簪) Buyao hairpin. Single-pronged hairpin with dangling decorations. Buyao Crown. Crown consisted of dangling decorations. Zan hua (簪花) Flower hairpin. Could be fresh flower, silk flower, and flowers made with other materials. Buyao Tree. Tree-shaped dangling decoration centered at front of hair. Man could also wear. Hua Guan (花冠) Flower Crown. Feicui Fengguan (翡翠凤冠) Jade Phoenix Crown. Huasheng (華勝) Round flower hairpin centered front of hair. Long Feng Huacha Guan (龙凤花钗冠) Dragon Phoenix Hairpin Crown. Mo E (抹额) Piece of garment covering forehead. Lianhua mao (莲花帽) Lotus hat. Shu (梳) Comb. Bi (篦) Fine-toothed comb. Mianyi (面衣) or gaitou (蓋頭) Veils or “facial clothes”. Weimao (帷帽) A hat with a hanging veil which covers the face. A purple gauze which hangs on a hat from the front to the back with 4 ribbons of different colours hanging down from on the shoulders. Originated from the Tang dynasty’s weimao (帷帽). Humao (胡帽) “Barbarian hat”. A hat without the veil. Liangmao (涼帽) “Cool hat”. A hat worn by the Hakka women, a Han ethnic subgroup when working in the fields. It is made of a flat disc of woven bamboo with a hole in the centre and has a black (or blue) cotton fringe. Han, Myung-Sook; Im, Sung-Kyung (2005-10-01). “A Study on the Artificial Flowers as a Hair Ornament in China”. Proceedings of the Costume Culture Conference (복식문화학회:학술대회논문집). Mai, Huijuan; Yang, Yimin; Jiang, Hongen; Wang, Bo; Wang, Changsui (2017-10-01). “Investigating the materials and manufacture of Jinzi: The lining of Futou (Chinese traditional male headwear) from the Astana Cemeteries, Xinjiang, China”. Journal of Cultural Heritage. Bangwei Zhang, Fusheng Liu, Chongbang Cai, Zengyu Wang, Peter Ditmanson, Bang Qian Zhu (Updated ed.). Rites of Zhou Annotation. 云”缫不言皆，有不皆”者，谓王之五冕，缫则有十二，有九，有七，有五，有三，其玉旒皆十二，故缫不言皆。 有不皆者，则九旒已下是也。 玉言皆，则五冕旒皆十二玉也。 每缫九成，则九旒也。 Book of Jin. Zhu, Ruixi; 朱瑞熙 (2016). A social history of middle-period China : the Song, Liao, Western Xia and Jin dynasties. 卿七旒。 通天冠，本秦制。 Book of Later Han. 王公八旒。 Book of Jin. Newcastle upon Tyne: Cambridge Scholars Publishing. 高山冠，一曰侧注。 制如通天，顶不邪却，直竖，无山述展筒，中外官、谒者、仆射所服。 Feng, Ge; Du, Zhengming (2015). Traditional Chinese rites and rituals. Book of Jin. 远游冠，傅玄云秦冠也。 似通天而前无山述，有展筒横于冠前。 皇太子及王者后、帝之兄弟、帝之子封郡王者服之。 诸王加官者自服其官之冠服，惟太子及王者后常冠焉。 太子则以翠羽为緌，缀以白珠，其馀但青丝而已。 Yiwen Leiju. 秦始皇复古冠貂蝉，汉因而不改。 此内官侍帷幄，受顾问，拾遗于左右，出则负玺以从，秩二千石。 Book of Han. 今王氏一姓乘朱轮华毂者二十三人，青紫貂蝉充盈幄内，鱼鳞左右。 Book of Later Han. 进贤冠，古缁布冠也，文儒者之服也。 前高七寸，后高三寸，长八寸。 公侯三梁，中二千石以下至博士两梁，自博士以下至小史私学弟子，皆一梁。 宗室刘氏亦两梁冠，示加服也。 Book of Jin. 王莽頂禿，又加其屋也。 《漢注》曰，冠進賢者宜長耳，今介幘也。 冠惠文者宜短耳，今平上幘也。 始時各隨所宜，遂因冠為別。 介幘服文吏，平上幘服武官也。 “进贤冠，古缁布遗象也，斯盖文儒者之服。 前高七寸，后高三寸，长八寸，有五梁、三梁、二梁、一梁。 人主元服，始加缁布，则冠五梁进贤。 三公及封郡公、县公、郡侯、县侯、乡亭侯，则冠三梁。 卿、大夫、八座，尚书，关中内侯、二千石及千石以上，则冠两梁。 中书郎、秘书丞郎、著作郎、尚书丞郎、太子洗马舍人、六百石以下至于令史、门郎、小史、并冠一梁。 汉建初中，太官令冠两梁，亲省御膳为重也。 博士两梁，崇儒也。 宗室刘氏亦得两梁冠，示加服也。 History of Ming. 帝因复制《忠静冠服图》颁礼部，敕谕之曰：”祖宗稽古定制，品官朝祭之服，各有等差。第常人之情，多谨于明显，怠于幽独。古圣王慎之，制玄端以为燕居之服。比来衣服诡异，上下无辨，民志何由定。朕因酌古玄端之制，更名’忠静’，庶几乎进思尽忠，退思补过焉。朕已著为图说，如式制造。在京许七品以上官及八品以上翰林院、国子监、行人司，在外许方面官及各府堂官、州县正堂、儒学教官服之。武官止都督以上。其馀不许滥服。”礼部以图说颁布天下，如敕奉行。 按忠静冠仿古玄冠，冠匡如制，以乌纱冒之，两山俱列于后。 冠顶仍方中微起，三梁各压以金线，边以金缘之。 四品以下，去金，缘以浅色丝线。 Book of Later Han. 趙惠文王 ， 武靈王 子也。 其初制必甚麤簡，金玉之飾，當即 惠文 後來所增，故冠因之而名。 120″. Book of Later Han. “武冠，俗謂之大冠，環纓無蕤，以青系為緄，加雙鶡尾，豎左右，為鶡冠云。 五官、左右虎賁、羽林、五中郎將、羽林左右監皆冠鶡冠，紗縠單衣。 虎賁將虎文絝，白虎文劍佩刀。 虎賁武騎皆鶡冠，虎文單衣。 襄邑歲獻織成虎文云。 鶡者，勇雉也，其鬥對一死乃止，故趙武靈王以表武士，秦施之焉。 鹖，毅鸟也，毅不知死。 状类鸡，首有冠，性敢于斗，死犹不置，是不知死也。 《左传》：鹖冠，武土戴之，象其勇也。

Shubi (Chinese: 梳篦), also called as zhi (Chinese: 栉), is a generic term used for Chinese combs in China, which includes thick-teeth comb shu (Chinese: 梳) and thin-teeth comb bi (Chinese: 篦). Shubi originated about 6000 years ago in China during the late Neolithic period. In ancient China, Chinese combs had a high special status, a high artistic value, was an important form of hair ornament in Chinese history. Some Chinese combs dating from the Shang dynasty were found in the Tomb of Fuhao. Chinese combs in China were not used only for grooming purposes, they were also used holding and decorating hair. Chinese comb also had and continues to hold unique cultural meaning and emotional value. Both Chinese men and women wore decorative combs in their hair in ancient China. Chinese women often wore combs and fine-tooth combs in their hair buns. The term shubi (Chinese: 梳篦) also includes to two types of combs: shu (Chinese: 梳; also lit. Chinese comb-making was also an important form of traditional Chinese art and business industry. The term shubi also refers to a form of hairstyle in ancient China. The use of the term zhi to refer both types of combs; i.e. thick-tooth combs and fine-teeth combs were only found in the pre-Qin dynasty literature. However, the term zhi was partly changed by the word shu (Chinese: 梳) to refer to thick-tooth comb in the Sui and Tang dynasties. The usage of the term zhi (Chinese: 栉) has relatively unstable. The term zhi was partly changed again by the word bi (Chinese: 篦) to only refer to thin-tooth combs after the Yuan dynasty. The invention of bi, the fine-tooth comb, is attributed to a Spring and Autumn period official called Chen Qizi who was put into prison after being found guilty. According to a legend, the Chinese comb was invented by one of the concubine of the Yellow Emperor, called Fang Leishi (Chinese: 方雷氏). In prison, Chen Qizi developed lice on his head which made him itched intolerably. After being tortured by the prison wardens with bamboo planks, Chen Qizi discovered that the bamboo planks would be split into strips; he then packed these wooden strips together to create the original fine-toothed comb to clean his hair away from lice and dirt. The prison warden, Huang Fu, discovered that Hao Lian could make combs and advised him to make a comb to save his life overnight. The comb made by Hao Lian was presented to the Queen Luo Zu, but Hao Lian was already executed before an amnesty could be issued. After Hao Lian’s death, Emperor Xuan Yuan appointed Huang Fu to lead other craftsmen in comb-making based on the models left behind by Hao Lian. Since this time, Hao Lian and Huang Fu have been both considered as the founders of comb trade. According to a legend, after the defeat of Chiyou, the craftsman Hao Lian, who knew how to make combs, was captured, imprisoned and given the death sentence. Chinese combs were also an essential component of dowry in ancient China; they are also a symbolism of a happy life. Prenuptial hair-combing ceremony, also known as shang tou (Chinese: 上头), is a traditional Cantonese Chinese ritual which takes place on the eve of the wedding by the couples. It is held at a time which is considered auspicious at the homes of groom and bride respectively to symbolize a rite of passage. It is believed to have been introduced in Singapore by the Cantonese. This practice is still performed in some ethnic groups in Singapore. Combs in some Chinese nationalities are considered a kind of taboo; for example, for the Tibetans, combs must be hidden in private places, people who wore combs in their hair were perceived as being impolite. In the Han dynasty, Emperor Wendi gave combs to the leader of the Xiongnu, Maodun. Chinese comb-making was an important form of business industry in ancient China. People who were in the business of the selling or the making of combs in China enjoyed special rights in both ancient and modern Chinese industry. Some combs, such as the Changzhou combs, could only be used by members of royalty in ancient China. Nowadays, although the Changzhou combs are commonly used in everyday life, this form of Chinese combs are still considered as national and traditional treasures in China. In Traditional Chinese medicine, hair combing is perceived as an efficient means to remain healthy. In ancient China, Chinese people used shubi to maintain their health due to the doctors’ belief that every day hair combing was an important need in traditional medicine. Hair combing is still used for massaging the head to keep one’s healthy is still used in modern times China. Japanese combs, kushi, started to be used by Japanese people 6000 years ago in the Jomon era. Chinese combs were introduced in Japan along with the introduction of Chinese culture during the Nara period. During this period, the Chinese combs which were introduced in Japan were horizontal in shape. The design of the Chinese comb introduced in Nara period was different from stick-shaped hair prongs that had been used by the Japanese before. In Nara period, the Japanese combs, along with Japanese clothes and ornaments, chinese traditional clothing hanfu were all influenced by the Sui and Tang dynasty. Some combs continued to be imported from China even in the later centuries, i.e. in the 18th or 19th century AD. Changzhou comb, double-edged fine-toot comb. Tang or Liao dynasty silver comb. Zhang, Linyi (2019). “Comparison of aesthetic styles of decorative combs in Japan and China”. วารสารศิลปกรรมบูรพา. Higham, Charles (2004). Encyclopedia of ancient Asian civilizations. Sherrow, Victoria (2006). Encyclopedia of hair : a cultural history. New York: Facts On File. Westport, Conn.: Greenwood Press. Westport, Conn.: Greenwood Press. Sherrow, Victoria (2006). Encyclopedia of hair : a cultural history. Westport, Conn.: Greenwood Press. Asian material culture. Marianne Hulsbosch, Elizabeth Bedford, Martha Chaiklin. Sherrow, Victoria (2006). Encyclopedia of hair : a cultural history. Amsterdam: Amsterdam University Press. This page was last edited on 23 June 2024, cheongsam top 3xx at 12:26 (UTC). By using this site, you agree to the Terms of Use and Privacy Policy. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

East Asia is a geographical and cultural region of Asia including China, Japan, Mongolia, North Korea, South Korea, and Taiwan. Additionally, Hong Kong and Macau are the two special administrative regions of China. The economies of China, Japan, South Korea, and Taiwan are among the world’s largest and most prosperous. To its east is the Pacific Ocean. East Asia borders North Asia to the north, Southeast Asia to the south, South Asia to the southwest, and Central Asia to the west. East Asia has long been a crossroads of civilizations, as the region’s prominence has facilitated the transmission of ideas, cultural exchanges, commercial trade, scientific and technological cooperation, and migration, as its position and proximity to both the Pacific Ocean and the Continental Asian landmass makes it strategically significant for facilitating international maritime trade and transportation. With the region having been home to various influential empires, kingdoms, and dynasties throughout history, each leaving its mark on the region and transforming the region’s geopolitical landscape ranging from distinct dynastic kingdoms to colonial possessions to independent modern nation-states. The contemporary economic, technological, political, and social integration of East Asia coupled with its rich history of diversity, division, and divergent development have all contributed to its enduring complexity, scientific and technological advancement, cultural richness, economic prosperity, and geopolitical significance on the world stage. East Asia, especially Chinese civilization, is regarded as one of the earliest cradles of civilization. Other ancient civilizations in East Asia that still exist as independent countries in the present day include the Japanese, Korean, and Mongolian civilizations. Various other civilizations existed as independent polities in East Asia in the past but have since been absorbed into neighbouring civilizations in the present day, such as Tibet, Manchuria, and Ryukyu (Okinawa), among many others. For thousands of years, China was the leading civilization in the region, exerting influence on its neighbours. Historically, societies in East Asia have fallen within the Chinese sphere of influence, and East Asian vocabularies and scripts are often derived from Classical Chinese and Chinese script. The Chinese calendar serves as the root from which many other East Asian calendars are derived. Taiwan has a relatively young history in the region after the prehistoric era; originally, it was a major site of Austronesian civilisation prior to colonisation by European colonial powers and China from the 17th century onward. Chinese folk religion in Mainland China, Hong Kong, Macau and Taiwan, Shinto in Japan, and Christianity and Musok in Korea. The major languages in East Asia include Mandarin Chinese, Japanese, and Korean. Tengerism and Tibetan Buddhism are prevalent among Mongols and Tibetans while other religions such as Shamanism are widespread among the indigenous populations of northeastern China such as the Manchus. The major ethnic groups of East Asia include the Han in China and Taiwan, Yamato in Japan, and Koreans in North and South Korea. The Ryukyuan people are an unrecognized ethnic group indigenous to the Ryukyu Islands in southern Japan, which stretch from Kyushu to Taiwan. There are also several unrecognized indigenous ethnic groups in mainland China and Taiwan. East Asians comprise around 1.7 billion people, making up about 33% of the population in Continental Asia and 20% of the global population. The region is home to major world metropolises such as Beijing-Tianjin, Busan-Daegu-Ulsan-Changwon, Guangzhou, Hong Kong, Osaka-Kyoto-Kobe, Seoul, Shanghai, Shenzhen, Taipei, and Tokyo. Although the coastal and riparian areas of the region form one of the world’s most populated places, the population in Mongolia and Western China, both landlocked areas, is very sparsely distributed, with Mongolia having the lowest population density of a sovereign state. Mongols in Mongolia. There are 76 officially-recognized minority or indigenous ethnic groups in East Asia; 55 native to mainland China (including Hui, Manchus, Chinese Mongols, Tibetans, Uyghurs, and Zhuang in the frontier regions), 16 native to the island of Taiwan (collectively known as Taiwanese indigenous peoples), one native to the major Japanese island of Hokkaido (the Ainu) and four native to Mongolia (Turkic peoples). The overall population density of the region is 133 inhabitants per square kilometre (340/sq mi), about three times the world average of 45/km2 (120/sq mi). The various other regions in East Asia were selective in the Chinese influences they adopted into their local customs. China was the first region settled in East Asia and was undoubtedly the core of East Asian civilization from where other parts of East Asia were formed. Chinese civilization emerged early, and prefigured other East Asian civilisations. Western civilization encompassing Ancient Greece. Throughout history, imperial China would exert cultural, economic, technological, and political influence on its neighbours. Succeeding Chinese dynasties exerted enormous influence across East Asia culturally, economically, politically and militarily for over two millennia. Imperial China’s cultural preeminence not only led the country to become East Asia’s first literate nation in the entire region, it also supplied Japan and Korea with Chinese loanwords and linguistic influences rooted in their writing systems. The tributary system of China shaped much of East Asia’s history for over two millennia due to Imperial China’s economic and cultural influence over the region, and thus played a huge role in the history of East Asia in particular. Under Emperor Wu of Han, the Han dynasty made China the regional powerhouse in East Asia, projecting much of its imperial influence onto its neighbours. Cultural and religious interaction between the Chinese and other regional East Asian dynasties and kingdoms occurred. China’s impact and influence on Korea began with the Han dynasty’s northeastern expansion in 108 BC when the Han Chinese conquered the northern part of the Korean peninsula and established a province called Lelang. Han China hosted the largest unified population in East Asia, the most literate and urbanised as well as being the most economically developed, as well as the most technologically and culturally advanced civilization in the region at the time. Jomon society in ancient Japan incorporated wet-rice cultivation and metallurgy through its contact with Korea. Chinese influences were transmitted and soon took root in Korea through the inclusion of the Chinese writing system, monetary system, rice culture, philosophical schools of thought, and Confucian political institutions. Starting in the fourth century AD, Japan adopted Chinese characters, which remain integral to the Japanese writing system. Utilizing the Chinese writing system allowed the Japanese to conduct their daily activities, maintain historical records and give form to various ideas, thoughts, and philosophies. During the Tang dynasty, China exerted its greatest influence on East Asia as various aspects of Chinese culture spread to Japan and Korea. Similar to its Han predecessor, Tang China reasserted itself as the center of East Asian geopolitical influence during the early medieval period which spearheaded and marked another golden age in Chinese history. The establishment of the medieval Tang dynasty rekindled the impetus of Chinese expansionism across the geopolitical confines of East Asia. In addition, Tang China also managed to maintain control over northern Vietnam and northern Korea. During the Tang dynasty, China exerted its greatest influence on East Asia as various aspects of Chinese culture spread to Japan and Korea. Drawing inspiration from the Tang political system, Prince Naka no oe launched the Taika Reform in 645 AD where he radically transformed Japan’s political bureaucracy into a more centralised bureaucratic empire. The Japanese also adopted Mahayana Buddhism, Chinese style architecture, and the imperial court’s rituals and ceremonies, including the orchestral music and state dances had Tang influences. Written Chinese gained prestige and aspects of Tang culture such as poetry, calligraphy, and landscape painting became widespread. As full-fledged medieval East Asian states were established, Korea by the fourth century AD and Japan by the seventh century AD, Japan and Korea actively began to incorporate Chinese influences such as Confucianism, the use of Chinese characters, architecture, state institutions, political philosophies, religion, urban planning, and various scientific and technological methods into their culture and society through direct contacts with Tang China and succeeding Chinese dynasties. The Japanese also created laws adopted from the Chinese legal system that was used to govern in addition to the kimono, which was inspired from Chinese hanfu during the eighth century. During the Nara period, Japan began to aggressively import Chinese culture and styles of government which included Confucian protocol that served as a foundation for Japanese culture as well as political and social philosophy. For many centuries, most notably from the 7th to the 14th centuries, China stood as East Asia’s most advanced civilization and foremost military and economic power, exerting its influence as the transmission of advanced Chinese cultural practices and ways of thinking greatly shaped the region up until the nineteenth century. By the mid-nineteenth century, the weakening Qing dynasty became fraught with political corruption, obstacles and stagnation that was incapable of rejuvenating itself as a world power in contrast to the industrializing Imperial European colonial powers and a rapidly modernizing Japan. As East Asia’s connections with Europe and the Western world strengthened during the late nineteenth century, China’s power began to decline. The modern and militarily powerful Japan would galvanise its position in the Orient as East Asia’s greatest power with a global mission poised to advance to lead the entire world. Around the same time, the Meiji Restoration in Japan sparked rapid societal transformation from an isolated feudal state into East Asia’s first industrialised nation. By the early 1900s, the Empire of Japan succeeded in asserting itself as East Asia’s most dominant geopolitical force. With its newly found international status, Japan would begin to challenge the European colonial powers and inextricably took on a more active role within the East Asian geopolitical order and world affairs at large. Flexing its nascent political and military might, Japan soundly defeated the stagnant Qing dynasty during the First Sino-Japanese War as well as defeating Russia in the Russo-Japanese War in 1905; the first major military victory in the modern era of an East Asian power over a European one. Its hegemony was the heart of an empire that would include Taiwan and Korea. After a century of exploitation by the European and Japanese colonialists, post-colonial East Asia saw the defeat and occupation of Japan by the victorious Allies as well as the division of China and Korea during the Cold War. The Korean peninsula became independent but then it was divided into two rival states, while Taiwan became the main territory of de facto state Republic of China after the latter lost Mainland China to the People’s Republic of China in the Chinese Civil War. During the latter half of the twentieth century, the region would see the post war economic miracle of Japan, which ushered in three decades of unprecedented growth, only to experience an economic slowdown during the 1990s, but nonetheless Japan continues to remain a global economic power. During World War II, Japanese expansionism with its imperialist aspirations through the Greater East Asia Co-Prosperity Sphere would incorporate Korea, Taiwan, much of eastern China and Manchuria, Hong Kong, and Southeast Asia under its control establishing itself as a maritime colonial power in East Asia. As of at least 2022, the region is more peaceful, integrated, wealthy, and stable than any time in the previous 150 years. In common usage, the term “East Asia” typically refers to a region including Greater China, Japan, Korea and Mongolia. East Asia would also see the economic rise of Hong Kong, South Korea, and Taiwan, in addition to the respective handovers of Hong Kong and Macau near the end of the twentieth century. China, Japan, and Korea represent the three core countries and civilizations of traditional East Asia, as they once had a shared written language, a shared culture, and a shared Confucian societal value system (involving shared Confucian philosophical tenets) once instituted by Imperial China. Other usages define China, Hong Kong, Macau, Japan, North Korea, South Korea and Taiwan as countries that constitute East Asia based on their geographic proximity as well as historical and modern cultural and economic ties, particularly with Japan and Korea in having retained strong cultural influences that originated from China. Some scholars include Vietnam as part of East Asia as it has been considered part of the greater Chinese cultural sphere. Mongolia is geographically north of Mainland China yet Confucianism and the Chinese writing system and culture had limited impact on Mongolian society. Though Confucianism continues to play an important role in Vietnamese culture, Chinese characters are no longer used in its written language and many scholarly organizations classify Vietnam as a Southeast Asian country. Xinjiang and Tibet are sometimes seen as part of Central Asia (see also Greater Central Asia). Thus, Mongolia is sometimes grouped with Central Asian countries such as Turkmenistan, Kyrgyzstan, and Kazakhstan. Broader and looser definitions by international agencies and organisations such as the World Bank refer to East Asia as the “three major Northeast Asian economies, i.e. mainland China, Japan, and South Korea”, as well as Mongolia, North Korea, the Russian Far East, and Siberia. The Council on Foreign Relations includes the Russia Far East, Mongolia, and Nepal. The Economic Research Institute for Northeast Asia defines the region as “China, Japan, the Koreas, Nepal, Mongolia, and eastern regions of the Russian Federation”. Mainland China, Hong Kong, Macau, Mongolia, North Korea, South Korea, Taiwan, and Japan. The World Bank also acknowledges the roles of Chinese special administrative regions Hong Kong and Macau, as well as Taiwan, a country with limited recognition. Certain Japanese islands are associated with Oceania due to non-continental geology, distance from mainland Asia or biogeographical similarities with Micronesia. Some groups, such as the World Health Organization, categorize China, Japan and Korea with Australia and the rest of Oceania. The World Health Organization label this region the “Western Pacific”, with East Asia not being used in their concept of major world regions. In the context of business and economics, “East Asia” is sometimes used to refer to the geographical area covering ten Southeast Asian countries in ASEAN, Greater China, Japan, and Korea. However, in this context, the term “Far East” is used by the Europeans to cover ASEAN countries and the countries in East Asia. Their definition of this region further includes Mongolia and the adjacent area of Cambodia, as well as the countries of the South East Asia Archipelago (excluding East Timor and Indonesia). On rare occasions, the term is also sometimes taken to include India and other South Asian countries that are not situated within the bounds of the Asia-Pacific, although the term Indo-Pacific is more commonly used for such a definition. Observers preferring a broader definition of “East Asia” often use the term Northeast Asia to refer to China, the Korean Peninsula, and Japan, with the region of Southeast Asia covering the ten ASEAN countries. This usage, which is seen in economic and diplomatic discussions, is at odds with the historical meanings of both “East Asia” and “Northeast Asia”. The Council on Foreign Relations of the United States defines Northeast Asia as Japan and Korea. East Asia is home to many climatic zones. It also has unique weather patterns such as the East Asian rainy season and the East Asian Monsoon. Like the rest of the world, East Asia has been getting warmer due to climate change, and there had been a measurable increase in the frequency and severity of heatwaves. 1459 China has notably embarked on the sponge cities program, where cities are designed to increase the area of urban green spaces and permeable pavings in order to help deal with flash floods caused by greater precipitation extremes. 1464 The region is also expected to see the intensification of its monsoon, leading to more flooding. 1465 in areas like the North China Plain. China, Japan and the Republic of Korea are expected to see some of the largest economic losses caused by sea level rise. 43% under 4.5 °C (8.1 °F). Shanghai is also expected to experience annual losses of around 1% of the local GDP in the absence of adaptation. Note: The order of states/territories follows the population ranking of each ethnicity, within East Asia only. China, North Korea, South Korea and Taiwan are all unrecognised by at least one other East Asian state because of severe ongoing political tensions in the region, specifically the division of Korea and the political status of Taiwan. The vast knowledge and ingenuity of Chinese civilization and the classics of Chinese literature and culture were seen as the foundations for a civilized life in East Asia. The culture of East Asia has been deeply influenced by China, as it was the civilization that had the most dominant influence in the region throughout the ages that ultimately laid the foundation for East Asian civilization. Imperial China served as a vehicle through which the adoption of Confucian ethical philosophy, Chinese calendar system, political and legal systems, architectural style, diet, terminology, institutions, religious beliefs, imperial examinations that emphasised a knowledge of Chinese classics, political philosophy and cultural value systems, as well as historically sharing a common writing system reflected in the histories of Japan and Korea. The Imperial Chinese tributary system was the bedrock of network of trade and foreign relations between China and its East Asian tributaries, which helped to shape much of East Asian affairs during the ancient and medieval eras. The Imperial Chinese tributary system shaped much of East Asia’s foreign policy and trade for over two millennia due to Imperial China’s economic and cultural dominance over the region, and thus played a huge role in the history of East Asia in particular. The relationship between China and its cultural influence on East Asia has been compared to the historical influence of Greco-Roman civilization on classical Western civilisation. Through the tributary system, the various dynasties of Imperial China facilitated frequent economic and cultural exchange that influenced the cultures of Japan and Korea and drew them into a Chinese international order. East Asian Buddhism/Chinese Buddhism 漢傳佛教 or 汉传佛教 Emperor Ming of Han (introduced to China), Mālānanda (introduced to Baekje), King Seong of Baekje (introduced to Japan) 67 AD Eastern Han dynasty Mahayana Diamond Sutra Non-God, Dualism. This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. Hanshi Festival 寒食節 or 寒食节 Cold Food Festival Solar term Traditionally, on the 105th day after the Winter solstice. April 3-5 Ancestors Worship, Tomb Sweeping, No cooking hot meal/setting fire, Cold food only. Revised to 1 day before the Qingming Festival by Johann Adam Schall von Bell (Chinese: 汤若望) during the Qing dynasty. Just 1 day after the Hanshi Festival, but in much higher repute. April 4-6th Ancestors Worship, Tomb Sweeping, Excursion, Planting trees, Flying kites, Tug of war, Cuju, etc. (Almost the same with the Hanshi Festival’s, due to their close dates) Burning Hell money for deceased family members. Qingming Festival 清明節 or 清明节 or Ханш нээх Tomb Sweeping Day Solar term 15th day after the Vernal Equinox. Planting willow branches to keep ghosts away from houses. Double Ninth Festival 重陽節 or 重阳节 Double Positive Festival Chinese Month 9 Day 09 Climbing Mountain, Taking care of elderly, Wearing Cornus. Dragon Boat Festival 端午節 or 端午节 or 단오 Duanwu Festival / Dano (Surit-nal) Chinese / Korean Month 5 Day 5 Driving poisons & plague away. Japan switched the date to the Gregorian calendar after the Meiji Restoration. East Asian popular culture, such as anime and manga from Japan and K-pop and K-dramas from South Korea, have become highly popular worldwide in the 21st century. Baseball is one of the main sports in East Asia, having been introduced through mid-19th century American contact and further spread by the Japanese Empire. Please help improve this section by adding citations to reliable sources. This section does not cite any sources. Formerly the East Asian Games, it is a multi-sport event organized by the East Asian Games Association (EAGA) and held every four years since 2019 among athletes from East Asian countries and territories of the Olympic Council of Asia (OCA), as well as the Pacific island of Guam, which is a member of the Oceania National Olympic Committees. Unsourced material may be challenged and removed. The others are the Central Asian Games, the Southeast Asian Games (SEA Games), the South Asian Games and the West Asian Games. This section does not cite any sources. It is one of five Regional Games of the OCA. Unsourced material may be challenged and removed. Please help improve this section by adding citations to reliable sources. Rank City name Country Pop. Beijing is the capital of China. It has a history of over 3300 years. Tokyo is the capital of Japan and the world’s largest city, both in metropolitan population and economy. Seoul is the capital of South Korea. Osaka is the second-largest metropolitan area in Japan. Nagoya is the third-largest metropolitan area in Japan. Guangzhou is one of the most important economic centers in southern China. Nagoya is a major port city and the location of Lexus headquarters. Taipei City is the capital of Taiwan, with a population of 2.6 million. Hong Kong is one of the global financial centres and is known as a cosmopolitan metropolis. 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Hanfu is largely affectation. Funnily the CCP has to keep a tight rein on Hanfu fans as they fear most any attack on them from the Greater Authenticity / More Chinese than Thou Flank. Perhaps buried in there is some inchoate longing for the Golden Age (generally held to be Tang/Song) or just history that’s from a distance less sordid. Hanbok a bit affected too, although Korean women never stopped dressing traditionally at least some of the time. Thailand recently went through a craze of dressing up as Ayutthaya Period nobility after a period soap opera became very popular. But walk far down to the quiet end of a Soi in Central Bangkok and you are likely to see some of the people walking around at dusk wearing those checkered sarongs. Perhaps there’s a tiny inchoate smidgin of Revolt Against the Modern World in the blinged out old time clothing trends, but suspect most of it is East Asian penchant for quickly picking up on trends amplified to the nth by social media. Japanese, tang dynasty hanfu dress I think are the the most natural when it comes to wearing traditional clothes. It’s just a given in certain circumstances, never died (wee rough patch during Meiji/Taisho yes) and was going strong long before selfies and instagram, let alone the execrable TikTok. As old as time. Or just engage a carpenter’s crew for some home renovations – you might be surprised what they show up wearing! Weekend at a Ryokan, Onsen, or just a night out at the fireworks during summer will bring this home. I also like to see very old Chinese going about in the daytime wearing what are effectively pajamas. Increasingly rare sight though. And I forgot the Vietnamese. The Aoidai never died and from following r/Vietnam on reddit there seems to be a thing for dressing up as scholars and aristocrats and being photographed.

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What sets this Hanfu apart is its meticulous attention to detail and cultural reverence. From the classical motifs to the thoughtful layering, every element is designed to honor the traditions of the Wei and Jin dynasties while providing a comfortable and wearable experience. This exquisite set offers a blend of artistry and practicality, making it an exceptional choice for those who wish to embody the elegance of ancient China. Its standout feature lies in the neckline and cuffs, adorned with a classic lattice pattern reminiscent of the geometric artistry from the Wei and Jin period. The flowing sleeves allow for dramatic, graceful movements, enhancing the wearer’s silhouette while maintaining a sense of authenticity. This piece anchors the ensemble with understated sophistication. The first component is the large-sleeved blouse, crafted in a soft, solid pink fabric that exudes simplicity and elegance. The second layer is the half-sleeved outer coat, which introduces a dynamic contrast with its translucent fabric and intricate details. The light, chinese traditional clothing cheongsam airy feel of the outer coat evokes the ethereal quality often associated with historical depictions of Wei and Jin period attire. This layer, with its light texture and subtle embroidery, adds depth and texture to the outfit while complementing the large-sleeved blouse. The inner skirt provides a soft, flowing foundation, while the outer skirt steals the show with its intricate and eye-catching prints. The highlight of this set is undoubtedly the dual-layered skirt. Inspired by ancient Chinese paintings, the detailed patterns showcase ornate floral and geometric designs that reflect the era’s artistic elegance. The combination of layers gives the skirt a rich sense of depth and dimension, perfect for creating a statement look that is both luxurious and sophisticated.

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Before we jump into the styles, let’s take a quick history lesson. But don’t worry, we’re not going to wear something that looks like it belongs in a museum. Hanfu, the traditional clothing of the Han Chinese, has a history that spans thousands of years. It’s like having a piece of history that fits right into your 21st-century lifestyle. Modern Hanfu is more than just a fashion statement. The beauty of modern Hanfu is that it takes the essence of traditional designs and blends it with contemporary fashion trends. It’s a celebration of cultural heritage, a nod to the rich history of Chinese fashion. Wearing modern Hanfu is like wearing a piece of art, each stitch and fold telling a story. And let’s be honest, who wouldn’t want to be a walking masterpiece? The A-Line dress is a modern take on the traditional Hanfu robe. Now, let’s get to the fun part – the styles! It’s perfect for those casual days out or a fancy dinner date. Pair it with some cute flats, and you’re good to go! It’s versatile and can be paired with a blouse or a crop top. This style is all about accentuating your waist and giving you that elegant silhouette. The Ruqun, a classic Hanfu style, red cheongsam gets a modern twist with vibrant colors and patterns. It’s perfect for those who want to make a bold fashion statement. I once wore this to a friend’s wedding, and let me tell you, the compliments just kept coming! Who says Hanfu can’t be modern and edgy? It’s all about power dressing! The Hanfu pantsuit is perfect for the office or a business meeting. Pair it with some leggings or skinny jeans, and you’re all set! This is for those days when you’re feeling a little extra. The Hanfu cape adds a dramatic flair to any outfit. This style is perfect for those lazy days when you just want to be comfortable but still look chic. It’s my go-to piece when I want to stand out in a crowd. This is a staple piece that every modern Hanfu enthusiast should have. Plus, it’s super comfortable! Perfect for those chilly days, the Hanfu coat combines style and functionality. It’s versatile and can be paired with a skirt or pants. It’s like getting a warm hug from your clothes! Add a layer of sophistication to your outfit with a Hanfu vest. Last but not least, the Hanfu Kimono. It’s a fusion of Chinese and Japanese fashion that results in a stunning piece of clothing. It’s a simple piece that can elevate your look. Now that you’re familiar with the styles, let’s talk about incorporating them into your wardrobe. The key is to mix and match. Pair your Hanfu with western clothing for a unique look. Don’t forget to accessorize! And remember, taking care of your Hanfu is essential. A statement necklace or a pair of earrings can go a long way. Experimenting with modern Hanfu styles can be a fun and exciting way to revolutionize your wardrobe. Always check the care label and store them properly to keep them looking their best. Who knows, you might just find your new favorite outfit. So why not give it a try? Remember, fashion is all about expressing yourself. So go ahead, express yourself with modern Hanfu!

Experience the Regal Feast at Shanghai’s Palace Banquet Step into the grandeur of imperial dining with Shanghai’s Palace Banquet, a culinary journey that transcends 3,000 years of history. This is no ordinary meal-it’s an immersive experience blending gourmet flavors with a regal atmosphere, making you feel like royalty. I secured a VIP seat in the front row, priced at 698 RMB, and dressed in traditional Hanfu to enhance the authenticity. The immersive setting transports you straight into the splendor of an ancient palace. The menu was nothing short of extraordinary. Signature dishes like Concubine’s Smile Spicy Shrimp Balls, Braised Fish Maw with Persimmon, and Crispy Black Pepper Wagyu Beef were a feast for both the eyes and the palate. Initially, I assumed the presentation might outshine the flavors, but the dishes exceeded my expectations. From the elegant table arrangements to the refined service, every detail evokes the majesty of a royal feast. Booking is essential, as the Palace Banquet is highly sought after. Tickets start at 498 RMB for standard seating, can you wear a hanfu for chinese new year while VIP seats offer a closer view and an enhanced dining experience for 698 RMB. The rich blend of traditional and contemporary culinary techniques delivered not only visual appeal but also impeccable taste. Whether you’re a food enthusiast or simply looking for a unique way to explore Chinese culture, the Palace Banquet promises an unforgettable evening. Slip into the shoes of ancient emperors and empresses, savor the lavish spread, and let history and flavors intertwine for a truly majestic dining experience.